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<channel><title><![CDATA[Walker Jones for Senior Class President Official Campaign Site, and Other Works. - Walker Jones' Official Blog]]></title><link><![CDATA[http://www.walkerjones.net/walker-jones-official-blog.html]]></link><description><![CDATA[Walker Jones' Official Blog]]></description><pubDate>Wed, 11 Apr 2012 07:18:19 -0800</pubDate><generator>Weebly</generator><item><title><![CDATA[just sum home--words doin'--work]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2012/03/just-some-home-words-doin-late-work.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2012/03/just-some-home-words-doin-late-work.html#comments]]></comments><pubDate>Tue, 20 Mar 2012 20:02:39 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2012/03/just-some-home-words-doin-late-work.html</guid><description><![CDATA[Hey, I hope you had a happy St. Patty's day. I did (see: uncertainty in previous post [see also: Heisenberg Uncertainty Principle, because that shit's just wicked cool]).The hellish finals week has got me all fucked up with sleep, and I'm back to indulging in my nocturnal proclivity. I hope to amend this soon, but without further ado, Amen.gentleMen, Ladies, indefinitely Confused, I give you m [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">Hey, I hope you had a happy St. Patty's day. I did (see: uncertainty in previous post [see also: Heisenberg Uncertainty Principle, because that shit's just wicked cool]).<br /><span>The hellish finals week has got me all fucked up with sleep, and I'm back to indulging in my nocturnal proclivity. I hope to amend this soon, but without further ado, Amen.</span><br /><span>gentleMen, Ladies, </span>indefinitely Confused, I give you my 'POETre reADING reVIEW' (an assigned attendance and write-up of a local reading in which poetry was read [that really turned out to be a "scathing... review" of the worn-through postmodernist literary conventions {intentionally plural, intended as a pun}]) and my '&AElig;sthetic Statement?' (an assignmeant to reflect and elaborate up/on the "questions, processes, and impulses that underlie the principles or directions of your writing". [which because by the time I began to write it, I'd already written &asymp; 9-10 pages of text for about 8-10 hours, it did not as I would wish very consciously, cautiously do this, but together with the accompanying document, may have very well done a satisfactory job of]), both of which were assignments for my now over Poetry class.<br /><span></span>Enjoy; fill in the blanks; fulfill your life and yourself<br /></div>  <div ><div style="margin: 10px 0 0 -10px"> <a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/poetre_reading_review.docx"><img src="http://www.weebly.com/weebly/images/file_icons/rtf.png" width="36" height="36" style="float: left; position: relative; left: 0px; top: 0px; margin: 0 15px 15px 0; border: 0;" /></a><div style="float: left; text-align: left; position: relative;"><table style="font-size: 12px; font-family: tahoma; line-height: .9;"><tr><td colspan="2"><b> poetre_reading_review.docx</b></td></tr><tr style="display: none;"><td>File Size:  </td><td>30 kb</td></tr><tr style="display: none;"><td>File Type:  </td><td> docx</td></tr></table><a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/poetre_reading_review.docx" style="font-weight: bold;">Download File</a></div> </div>  <hr style="clear: both; width: 100%; visibility: hidden"></hr></div>  <div ><div style="margin: 10px 0 0 -10px"> <a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/aesthetic_statement.docx"><img src="http://www.weebly.com/weebly/images/file_icons/rtf.png" width="36" height="36" style="float: left; position: relative; left: 0px; top: 0px; margin: 0 15px 15px 0; border: 0;" /></a><div style="float: left; text-align: left; position: relative;"><table style="font-size: 12px; font-family: tahoma; line-height: .9;"><tr><td colspan="2"><b> aesthetic_statement.docx</b></td></tr><tr style="display: none;"><td>File Size:  </td><td>28 kb</td></tr><tr style="display: none;"><td>File Type:  </td><td> docx</td></tr></table><a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/aesthetic_statement.docx" style="font-weight: bold;">Download File</a></div> </div>  <hr style="clear: both; width: 100%; visibility: hidden"></hr></div>  ]]></content:encoded></item><item><title><![CDATA[KONY 2012: not what you think: not what you think I mean by that either]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2012/03/kony-2012-not-what-you-think-not-what-you-think-i-mean-by-that-either.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2012/03/kony-2012-not-what-you-think-not-what-you-think-i-mean-by-that-either.html#comments]]></comments><pubDate>Sat, 17 Mar 2012 05:26:39 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2012/03/kony-2012-not-what-you-think-not-what-you-think-i-mean-by-that-either.html</guid><description><![CDATA[Happy St. Patrick's Day! I just realized that even though it's a  personal favorite holiday, mine have been plaguingly poor... I hope and  will try to change that this year....So it seems now  that I'm making a blog post or at least some elongated writing every  night--viz. the last four. Tonight's was a facebook post in response to  someone's: of course, KONY 2012 post, and its necessarily-accompanying&nbsp;  KONY-2012-is-e [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">Happy St. Patrick's Day! I just realized that even though it's a  personal favorite holiday, mine have been plaguingly poor... I hope and  will try to change that this year.<br />...So it seems now  that I'm making a blog post or at least some elongated writing every  night--viz. the last four. Tonight's was a facebook post in response to  someone's: of course, KONY 2012 post, and its necessarily-accompanying&nbsp;  KONY-2012-is-evil (should that be the issue here?) post, and then a  retort to that saying (to which I agree), among other things, "Letting  the world know who he was is the primary mission to the campaign."  Including any more would probably be recursive--or at least add to this  post's already presumably staggering length--so without further ado, my  response:<br /><br />  Well this whole thing has had an interesting  development recently, with Invisible Children's co-founder (whom I've  personally heard from a best friend that interned at IC to be a very  admirable, dilligent, selfless person) now being detained for acts I  won't discuss here. <br /><br />  And Ashley I agree with you that letting  the world know who he is is the primary mission of the campaign and  really the primary purpose of all of this week's KONY-IC to-post or  not-to-post FB hooplah (which unfortunately is what it's come down to by  virtue of it being "to give" instead of To Help) if a positive  overarching purpose is to be taken from it, instead of just ironically  scoffed at like so many now are doing to IC's KONY, those who  post/support it, and transitively helping the situation.<br /> I mean  they're scoffing at helping and simultaneously helping, because we're  still talking about it, still directing attention to it while diverting  it from it, and so still "educat[ing]" enough to maybe effect some good  for such horrible situations.<br /><br />  But the rest of your post really  made me think about what actually would effectuate some good (which is  what all this is about).</div>  <div >  <!--BLOG_SUMMARY_END--></div>  <div  class="paragraph editable-text" style=" text-align: left; "> It's good to keep in mind that most "foreign aid", including IV's aid, would be military. This is a military conflict, the nature of the conflict is militant ("child soldiers"), but can militant reproach really approach this conflict's resolution?&nbsp; <br /> "Misinterpretations of media content may lead some people to believe that the LRA is currently active in Uganda," said Fred Opolot, a [Ugandan?] government spokesman. "They are a diminished and weakened group with numbers not exceeding 300." (from, I swear it's not a habit, a foxnews.com article)<br /> Do we need militant response to such an impotent military force?<br /><br />  Should we be preaching, posting, proliferating anti-"KONY" propaganda (with its purpose to end by means of probably killing Kony and his "army"), or educating pro-help, pro-peace, and in a broad sense pro-life so that these military oppressions stemming from abuses of educational power are not perpetuated and thus Actually End?&nbsp; <br /><br />  And speaking of misguided propaganda (keep in mind, a picture of which I did repost, I'm not trying to roast you), "There was a strong sense from the [Ugandan] audience that the video was insensitive to African and Ugandan audiences, and that it did not accurately portray the conflict or the victims," Victor Ochen of the African Youth Initiative Network, said in a statement. "In particular, viewers were outraged by the KONY 2012 campaign's strategy to make Kony famous and their marketing of items with his image." (same fox story, trust me, it's a non-mocking first)<br /><br />    (oh boy I'm sorry this is so long)<br /> Also, (not touching upon the consumer-capitalist aspect of all this help because it's already too long) your Huffington Post quote starts off with a fragment, which isn't a grammatical ticky-tack indictment, but an observation of a very crucial potential distortion--because "Since 1986 the Ugandan civil war...." Everything I try and find looks to any capitalized Ugandan [Bush?] War as having ended in 1986. It all gets more confusing every time I try and clarify with a different source/information. And I think that's part of it. This isn't a War. The only site I've found referring to it as The Ugandan Civil War lists six (6!) combatants that may or may not include the Ugandan govt. Only one of which is Kony's LRA. Which isn't even in Uganda anymore and hasn't been for two years. This is way bigger than one man, one war, or one country even (see also: George Clooney's recent arrest, why, the genocidal? conflict in South Sudan). <br /><br />  It may be bigger than one cause. You referenced genocide, but I've got a friend who worked for IC, a whole lot who have gone to Uganda,--not name dropping, illustrating I've heard a lot about it--and have looked at a crap-ton of sites tonight. I haven't really found a cause other than "oppression". Which is Power exerted over others. Which is exactly the kind of military intervention that you're talking about (and that, truly, at first seems altruistically human-rights-necessitatingly urgent).&nbsp;&nbsp; <br /><br />  You talked about the US not entering a war if not for self-interest. But we had no interest in Vietnam, except in stopping the spread of communism. And in reading about the military response to, the search (like actual-creeping-through-the-jungle searching) for Joseph Kony, it's really reminiscent of reading about the Vietnam war. Which, again, we entered to Stop "Something Terrible" (then it was a political/economic system--an ideal--and now it's the LRA, Kony, the abduction of children and senseless killing, and really to just impose human rights--an ideal. it's an improvement, just saying) To End Something. and, well, I mean Vietnam's course is well-documented, and this "Ugandan" conflict has six combatants listed...<br /><br />  Point being, (and I haven't had any in mind or planned to make any, especially not as simple--but possibly profound?--as this) maybe the End that we so desire isn't within reach. Maybe there is no end. Maybe all of this, whatever all this sadness and suffering is, is just going to continue on (undefined and) indefinitely whether or not we stick in our two-cents or our to-give-two-dollars or our to-stop-kony's-army's worth. Maybe the only way to attain the desired effect of the ends we're proposing is to change the means that we try and attain it with. And maybe, just maybe if we change the means of this undefined and indefinite sadness and suffering, then maybe we can define the sadness and suffering. <br /><br />  And (this is getting abstract but important?) then maybe, if we can define the suffering, we could even define it in a good way--as good--so as to effectuate our change for the better not in an end, but in a means of good. To mean good, indefinitely.<br /></div>  ]]></content:encoded></item><item><title><![CDATA[you're really going to want to read this: 'Science' poetry]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2012/03/youre-really-going-to-want-to-read-this-science-poetry.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2012/03/youre-really-going-to-want-to-read-this-science-poetry.html#comments]]></comments><pubDate>Fri, 16 Mar 2012 04:11:24 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2012/03/youre-really-going-to-want-to-read-this-science-poetry.html</guid><description><![CDATA[{the following is my first submission to a poetry journal. this happened like 20 minutes ago. it's for NW Poetry's 'Science' themed issue. we'll see what happens. Love you. I'm going to fucking sleep.}Hello, You (editors)!  I'm Walker Jones, and unfortunately I am a little late. For this, I apologize.* However, I'm submitting my poems to you directly--for a number of reasons.  One of whic [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">{the following is my first submission to a poetry journal. this happened like 20 minutes ago. it's for NW Poetry's 'Science' themed issue. we'll see what happens. Love you. I'm going to fucking sleep.}<br /><br /><span></span>Hello, You (editors)!<br /> <br /> I'm Walker Jones, and unfortunately I am a little late. For this, I apologize.* However, I'm submitting my poems to you directly--for a number of reasons. <br /> One of which (pardon me, I posit rather obstinately) is that the causal circumstances of this casual submission are "silly, such arbitrary lines | that cut" some submitters from some submissed.<br /> <br /> And these poems would be missed if they were missing from your issue, which I feel would be a loss of what would be a win-win for your magazine and me. "Why?" Well, I'm glad you asked that, because <br /> these poems explore questions like <br /><span>&nbsp;&nbsp;&nbsp;&nbsp; </span>---'Why?' ("To what point does my lifeline continue?      Does this plane of existence have value?")<br /><span>&nbsp;&nbsp;&nbsp;&nbsp; </span><span>---</span>'Who?' (" <em style="">i </em>am "; "<em style="">n</em>0      name")<br /><span>&nbsp;&nbsp;&nbsp;&nbsp; ---</span>'What ([is] "the best thing since sliced      bread")?' {"a sandwich...", duh.}<br /><span>&nbsp;&nbsp;&nbsp;&nbsp; ---</span>'Where?' and 'When?' (directly: "here/where |      then/when") <br /><span></span> --and 'How' they do this is of most significance to your forthcoming poetry issue: <br /> in science-literate language. <br /> <br /> I am no scientist (I don't even know if I passed my chemistry course), no mathematician nor philosopher, no writer nor poet--yet, "all | <em style="">i </em>am | is nothing 8<em style="">u</em>+" a person (albeit a young [19 year old] one). And as a person with an awareness, (that) I think in thought that I think is the "ought" to what is (and "it" <em style="">is</em>n't <strong style="">it</strong>), the experience taken out of and from the experience we are intrinsically a part of--i .e. abstractions, symbols, language. The only reasons I'm including such a prossibly {sic} confusing sentence are to <br /><ol style=""><li style="">show that using analogous terms (/analogues),      non-letter symbols, and fractured (or unconventional) arrangements is      really just using the same iterative abstractions (from latin      "strahere": 'to pull, draw' and "ab-": 'away, from')      that are the foundation of plain written English, poetry, science,      thought, and consciousness.</li><li style="">logically connect this connection: that </li></ol>  art is a subjective experience of science. [I'm afraid <em style="">I'm</em> getting too abstract, so I'll spare you this justification; though, if you'd like me to I'll gladly share--but for now, just trust me on that.] Art is a subconscious bridge between consciousness and existence. It <em style="">pulls</em> us back to an Experience, <em style="">draw</em>ing us <em style="">away</em> <em style="">from</em> the very abstractions it--and we--employ(s) just 'to <strong style="">be</strong>', to ex<strong style="">is</strong>t; and what's more, once again,<br /> connects the factored experiencer to the fluid experience. This is why I write poetry (the way that/about what I do).<br /> <br /> I don't mean to be so abstract and impersonal, but I guess that's what it took for me to really spell out the personal significance of these words, pieces of me, of mine that I've pieced together and am sending to you--and why committing them to you, in particular to this (pardon the pun) issue, is so much (not in, but) our mutual interest. <br /> At the least, I hope you find some interesting connections in these pieces. <br /> Thank you for your time, considerable attention span and attentive consideration. <br /> <br /> Looking forwords to you's n' him's works,<br /> Walker Jones<br /> <br /> *[But, it is not by much. I was on the submission page, and then took the time (which, as you will see, it does take time) to put my poems all into one document, and by the time I'd clicked the button to submit the document, there was a "processing error" that redirected me back to a submissions page that was no longer accepting submissions. Frustrating, as you can imagine. Instead of getting frustrated,]<br /><br /><span></span>P.S. I started began this submission at around 11pm, but after abridging  the texts into one document, writing this whole darn thing, and in the  middle stopping to journal some digressive thoughts that occurred (to  make some pretty relevant, comprehensive connections), it's now nearly  4am. Why I include this is because I really did start to submit this  when you were still accepting submissions, and that slight (tardiness,  its consequence, and the incredulity and stubbornness [I'm a Taurus]) is  really the whole why I busted this out right now (and submitting it  against the "rules" or whatever they would be referred to in this case)  whilst I am already unbelievably sleep deprived. I'm just gonna stop  now. Thank you. Goodnight.</div>  <div ><div style="margin: 10px 0 0 -10px"> <a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/nwpoetry_submission.docx"><img src="http://www.weebly.com/weebly/images/file_icons/rtf.png" width="36" height="36" style="float: left; position: relative; left: 0px; top: 0px; margin: 0 15px 15px 0; border: 0;" /></a><div style="float: left; text-align: left; position: relative;"><table style="font-size: 12px; font-family: tahoma; line-height: .9;"><tr><td colspan="2"><b> nwpoetry_submission.docx</b></td></tr><tr style="display: none;"><td>File Size:  </td><td>15 kb</td></tr><tr style="display: none;"><td>File Type:  </td><td> docx</td></tr></table><a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/nwpoetry_submission.docx" style="font-weight: bold;">Download File</a></div> </div>  <hr style="clear: both; width: 100%; visibility: hidden"></hr></div>  ]]></content:encoded></item><item><title><![CDATA[^^* referenced links, not linked together, but linked nonetheless]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2012/03/-referenced-links-not-linked-together-but-linked-nonetheless.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2012/03/-referenced-links-not-linked-together-but-linked-nonetheless.html#comments]]></comments><pubDate>Wed, 14 Mar 2012 05:54:37 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2012/03/-referenced-links-not-linked-together-but-linked-nonetheless.html</guid><description><![CDATA[pre-P.S. this post is in "reference" to the one below it, but I don't pay for this site so I can't move them around. (though to be fair the documents included are in fact independent of any prior references, and both existed well before the post they were referenced in)glkjaldskjfajdsfk Okay so I still can't attach them as documents [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; "><span style="font-weight: bold;">pre-P.S. this post is in "reference" to the one below it</span>, but I don't pay for this site so I can't move them around. (<span style="font-style: italic;">though to be fair the documents included are in fact independent of any prior references, and both existed well before the post they were referenced in</span>)<br /><span></span>glkjaldskjfajdsfk Okay so I still can't attach them as documents  [ALKSJDFLKAJSDFKLJADSLFJAKL!!!!!!!!!] but I am now posting them here as  bare text. If you've borne with me to this point, please bear with me  now. <br />{Contents: my "personal statement?" to Evergreen (because  I like questions more than statements) and a fb reply to my mom. haha  that sounds funny. it has bible verses. i'm not christian. intrigued?  probz not.} <br /><span></span>GOODNIGHT. I LOVE YOU. SWTDRMZ.<br /></div>  <div >  <!--BLOG_SUMMARY_END--></div>  <div  class="paragraph editable-text" style=" text-align: left; "><span>[Okay it's kinda corny I know. I wrote it on a night like tonight where I'm excited and crazy and up very latearly. I actually wanted to send them just an envelope full of shit (not literal), like notes from my journal and pictures and maybe a poem or pictures or something, because this is kinda corny and impersonal and it sounds like I'm trying to impress them but that wasn't what I was trying to do but JESUS Walker take your hands offff the keyboard, raise them slowly and GTF2sleep.</span><br /><span>p.s. this is unedited.</span><span>] :</span><br />&nbsp;&nbsp;&nbsp;&nbsp; Hi, I'm Walker Jones (and since this isn't an essay but a short introduction in itself, I'll keep its introduction to that).<br />&nbsp;&nbsp;&nbsp;&nbsp; I have allowed myself to be prepared for Evergreen's interdisciplinary  learning by not learning, or rather not conditioning myself to the lie  of linear thought. Last year, I was diagnosed with ADHD, which my  prognostic pragmatism previously compensated for by capitulating in  crotchet-rockets on tangents of thought. That is to say, when I sit in  class my mind meanders and always has. I offer this acting on proclivity  to reconcile the passive voice pervading this paragraph's previous  sentences; through actively engaging in playful thought stimulated by  course work, I assimilate learning into a systemic corpus of knowledge  not limited to the systems in which said learning is presented. Thus, I  see Evergreen as bridging my learning (not learned) modus operandi with  the titular instrument of learning: the educational institution.<br />&nbsp;&nbsp;&nbsp;&nbsp; I've always wanted to play in a band, but alas, have never taken up an  instrument. Analogously, if I hope to be a (respectably, functionally)  learned member of society's band, I must attend (to) its educational  instrument. So to coalesce my personal goals of continually learning,  doing what I want, and being a productive member of society (really all  in the same), I instituted an educational goal of graduating from an  institution.<br />&nbsp;&nbsp;&nbsp;&nbsp; Though, this sounds like indignant resignation, when rather it  resounds with tintinnabulation within me. For we, our respective  educational institutions (our goals), are in sync, harmonious, in that  their foci embrace the <span style="text-decoration: underline;">pluralism that is the essence of individuality</span>. {<span style="font-style: italic;">why I wanted to link it in the first place</span>}  With an undefined course(-curriculum), pupils are unlimited in what they  can choose to see and be, in their potential for development. To me,  such experiential learning allows exponential growth for the learner;  furthermore, interdisciplinary learning incorporates all gravitational  fields of study, permitting constant influence by points of confluence  that would be deemed too disparate in more linearly-(m)aligned academes.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But, the beauty in this outlook is that its outset is each  individual's inherent interests. Free to submerge themselves in  tributaries near and dear, they will follow their course's progressions  to other bodies of knowledge and emerge in the union of cogitation from  which all thought systems diverge, and at which all judicious  educational endeavors would converge: not a stream of knowledge, but a  flow of learning: a constant influx of thought that is ours&mdash;not only our  own, but also all of ours, the connective (brain) tissue of collective  cognition. Thus, by each pupil following their own vision of learning,  all pupils come to see the same sight, one that is all-inclusive.  Furthermore, one can choose any promontory from which to behold the  beauty that is uniquely theirs.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This is my vision of my education, my self, and our world. And I'm  very glad to share it with you, Evergreen. Thanks for letting me.<br /> <br />[fb message]:<br />For some,&nbsp;it's harder to put belief in things they have no proof of than to blindly believe they are there. I am one of those. Now if we are to redefine this god, we may find ourselves in accord. And that accord is precisely it, to me. The accord is!; regardless of what it is according to&mdash;Whom or whom is an inconsequential and incongruous belief that only conflicts with others and logic. Why must we put faith in some great Else driving everything? Why not faith in the driving, the intrinsic greatness of how every single thing driving itself steers everything into accord?<br /> "In the beginning was the Word... and the Word was God." John 1:1<br /> "And the Word became flesh...[(as Jesus)]." John 1:14<br /> So Jesus was a physical manifestation of the Word.<br /> "Whoever does not love does not know God, because God is love." John 4:8<br /> So, "God is love;" and transitively Jesus was the physical manifestation of love.<br /> So what is love?<br /> "Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres." 1 Corinthians 13:4-7<br /> So "love is kind... it does not boast... it is not self-seeking... it always protects,... always perseveres." Love then is not an emotion or even an act, it is a way. Jesus is the physical manifestion of that way.<br /> &ldquo;I am the way and the truth and the life. No one comes to the Father except through me." John 14:6<br /> Jesus as a physical manifestation, a body if you will, is that way&mdash;love; and no one comes to know God, the Word but through love.<br /> "Follow God&rsquo;s example, therefore, as dearly loved children and walk in the way of love." Ephesians 5:1<br /> "A new command I give you: Love one another. As I have loved you, so you must love one another." John 13:34<br /> Jesus meant to unite us by love, for us to unite each other by love&mdash;to become one united body through him, his way, the way of love.<br /> "So in Christ we, though many, form one body, and each member belongs to all the others." Romans 12:5<br /> "Christ is head over everything and the Church is his body." Ephesians 1:22-23<br /> With Jesus, love, as the head of the body, us, we should follow our head and "walk in the way of love," walk in "the way, the truth and the life," in the Word.<br /> "The Holy Spirit works in each member." I Corinthians 12:27<br /> "Abide in me and I in you. I am the vine, you are the branches." John 15:4-5<br /> So this should be easy for us; the Holy Spirit, the part of the Word that is in each of us. The Word, love, lives in us and we are to live in it as one body of love. Why?<br /> "The objective is to prepare Christians for works of service so that the Church may be built up." Ephesians 4:12<br /> "Our sufferings are made for the sake of the Church." Colossians 1:24<br /> "No Church will grow without help from God." Colossians 2:19<br /> We are to follow the Word in us to help others, to grow our body of love, so that the love that lives in us may live in all. We are to live according to the one Word, love, to bring All into accord, so all may walk the way, live the truth and be the life as one. "One Love."<br /> Word.<span></span><br /></div>  ]]></content:encoded></item><item><title><![CDATA[mini-review (of mine) of DFW [and way too much more]]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2012/03/mini-review-of-mine-of-dfw.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2012/03/mini-review-of-mine-of-dfw.html#comments]]></comments><pubDate>Wed, 14 Mar 2012 05:32:34 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2012/03/mini-review-of-mine-of-dfw.html</guid><description><![CDATA[  dfw_mini-review.docx [...] ]]></description><content:encoded><![CDATA[<div ><div style="margin: 10px 0 0 -10px"> <a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/dfw_mini-review.docx"><img src="http://www.weebly.com/weebly/images/file_icons/rtf.png" width="36" height="36" style="float: left; position: relative; left: 0px; top: 0px; margin: 0 15px 15px 0; border: 0;" /></a><div style="float: left; text-align: left; position: relative;"><table style="font-size: 12px; font-family: tahoma; line-height: .9;"><tr><td colspan="2"><b> dfw_mini-review.docx</b></td></tr><tr style="display: none;"><td>File Size:  </td><td>14 kb</td></tr><tr style="display: none;"><td>File Type:  </td><td> docx</td></tr></table><a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/dfw_mini-review.docx" style="font-weight: bold;">Download File</a></div> </div>  <hr style="clear: both; width: 100%; visibility: hidden"></hr></div>  <div  class="paragraph editable-text" style=" text-align: left; "><span style="font-weight: bold; text-decoration: underline;">^^^READ THAT^^^</span> [<span style="font-style: italic;"><span style="text-decoration: underline;">I mean</span> at least</span> <span style="text-decoration: underline; font-weight: bold;">its links</span>, not what I wrote--unless that gets you to read the links.]<br /><span></span>Forewarning: the text below was spawned by surprise, sentimentality, excitement, and (is cleverly under a guise of) a willingness to share (the cloying bastard) of a person whose standing as "sane" is questionable at best. Like most personal blogs you will find on the internet, what (little) entertainment value it has is probably less valuable than your time. Just full disclosure*.<br /><span></span><br /><span>* Further disclosure. I wrote that before I wrote these footnotes (this and below) and while most all of this is almost definitely--considering other productive things you could and very well rather might be doing if you were not reading the parts I'm grammatically qualifying as I type and you're reading this that's--not worth your valuable time, there is some of it that just actually might be. Fuller disclosure.</span><br /></div>  <div >  <!--BLOG_SUMMARY_END--></div>  <div  class="paragraph editable-text" style=" text-align: left; ">Whoah. Unrelatedly, I just realized (like right as I clicked this text box [I would have said "literally realized", but that term's overused as it is and I'm saving if for a later more appropriate use]) that a year ago, right around right now CST, I was literally driving my truck into a tree.<br /><span></span><span>A lot's happened in a year. Today, I and my head (literally) are in a better</span> place, and I (not just my head) feel not only much better now, but also very grateful--for the transition, for personal progress (of which, lately, much has been the content of this site and the direction I'm headed that creates it), for you (my friends [for Being T/Here], my family [they're the reason I am Here], and anyone who's reading this or isn't, you're all helping me, and even without any relation to me at all, you're beautiful. Thank You All. We can lose a lot, sometimes we can even lose ourselves, but [<span style="font-style: italic;">pray</span>] let us not ever lose each other.* I think more importantly and more profoundly than each of our-constituent-selves, all each one of us do and can ever hope to have or be is US, in all its singular plurality.**), and for life (which really is the the composite culmination of everything I just listed, and thus necessarily and significantly [and very broadly] most important).<br /><span>Well sweet Jesus if you even made through that sentence I hope it was as touching for you</span> as it was for me (truly, no bs). I just--want to Share*** so Much with you now! These are exciting times for me, I'll have you know. I've more than tripled the number of my writings in the past 4 months; I'm continuing to write, sometimes a poem a day; I'm reading more and more rewardingly than I might have ever had before; If I survive this gauntlet week of school work with all my "fac-- [my] f-a-c-u-l-t-i-e-s intact" ****, I might actually be able to get some academic work done (a philosophy essay); I'm putting together a chapbook (I didn't know what that was either. Simply, it is, a book) together inclusive of all my (typed, finished) poetry and a short introduction to it; and I'm actually going to start submitting works to poetry journals.<br /><span>Point being, I'm in-a-cool-kid-Billy-Madison-way pissing my pants with excitement. True, all of those sentence's subjects were "I" myself, but the subject of each predicate is that products I'm producing are for You. Shared. Expressed. Out There.</span><br /><span>And boy (or girl, if you prefer), are they Out There. </span><br /><span>I should have started this blog post with "Dear Diary...". Why I started it in the first place, as the title (as well as this post's style) indicates is that I just linked some links I dug up to DFWritings for a friend and just kinda reviewed them in the process. So, whether you're interested in DFW ***** (you very damn well should be) or not, if you're just curious or bored (this isn't going where that might make you think it is), or if you just want to fucking read Something Other than These Incessant Ditherings of This by now Obviously Raving Lunatic</span>,<br /><span>YOU SHOULD READ DAVID FOSTER WALLACE REVIEW [</span>SEE BELOW:]******<br /><br /><span></span><span>* I really hope, most likely in vain, that I'm not ripping off some super corny movie or </span><br /><span></span>shitty internet poem or even--so bad I dare not speak of it [oh yeah, well I double-dog dare me to {fine, I win /really the point is I lose\; I give in}])--a made-for-TV Lifetime movie {<span style="font-style: italic;">Dun-Dun-DUNDUN</span>}. Forgive me. ^*<br /><span>** </span>Ah, for this, I believe I wanted to link my personal statement? [sic] ^** from my application to Evergreen. It's 500 words, but that's 500 words you could spend reading of DFW. Choose wisely. [linked below]<br /><span>***</span> As a wise and wonderful woman once said, "Share. This is a two-way street." (-- 'It's Easy To Sleep When You're Seventeen Going on Dead.' [the difference between the reaction to this quote in the story and the fact that I'm quoting it now are very indicative of "the transition" I've made in the past year {and two}.]) So while I'm sharing enough for the both of us and then some, it'd be cool if you could share too. Anything really, anything you want to. Any thoughts or feedback you have about what I say or write, any feelings or reactions to this, or your boss, or your life, any off-the-cuff or even painstakingly planned anything. I promise I'll listen.<br /><span></span>**** A quote from J.D. Salinger's "For Esme--With Love and Squalor" of his 'Nine Stories'. Once you've read David Foster Wallace, you should read that. Unless you're moving onto Vladimir Nabokov, in which case more power to you.<br /><span>***** DFW DFW! DFW!! DFW!!! DFW!!!!---what the fuck is this guy's problem???</span><br /><span>"Hey, Buddy!, why don't you put away that chubby, okay? Keep it in your pants bro. Go home and play with it or somethin in private, I don't care. I just don't wanna see it out here wavin' around in public."</span> Okay, so I know my raging boner for DFW is totally poppin' a tent of my pants (I swear, it's just the pattern) and knocking shit off of desks all over the place (of the pants. the pattern of the pants. I was actually just taking them back to the pants store right now.), but it's really because I've been boning up on him so much recently (in the non-sexual sense of the word)<span> because</span>...<br /><span style="font-style: italic; font-weight: bold; color: rgb(0, 0, 0);">I'M GOING TO THE DAVID FOSTER WALLACE SYMPOSIUM IN AUSTIN!!!</span><br /><span>Whereas I'm piss-my-pants excited about everything going on currently, I'm definitely shit-my-pants-and-wear-them-around-till-I-get-home-because-I'm-so-excited-I-don't-even-care excited about going to this conference. Reason being--aside from DW being the greatest writer and potentially genius of our generation--(considering the preceeding, I in no way mean the following as correlation nor </span>self-flattery; I'm merely way Way over-sharing [I would have been cut-the"Thanks Walker"-fuck-off and gotten a compassionate talk-to and hug by a 'timer at an na meeting]) (and I've only experienced with this with DFW and one other artist [Charlie Kaufman, screen-writer of 'Adaptation' and 'Eternal Sunshine of the Spotless Mind' which I on-a-DFW-level recommend to you if you've been living under a pineapple under the sea for the entirety of our current century and have yet to see them]) {btw if you whoever you are are still reading this I'm flattered? but I'm very perplexed. I like to think the information I'm communicating is in some way valuable (don't we all?), but I really would (I admit, somewhat blindly and less than even presumptuously) assume you have better ways to be spending your time and attention span. But I appreciate it nonetheless and now digress [OH NO FUCKIN' SHIT SHERLOCK]} (in retrospect I guess this isn't as long I thought. I think with everything I have to do this week, everything is now becoming intrinsically exaggerated [which probably explains this post])<br /><span>REASON BEING THAT I THINK HE'S LIKE ME = I THINK LIKE HIM = THE WAY HE WRITES IS THE WAY I THINK = our mental processes often seem similar and (I'm coming to learn) the views we espouse (even the feelings) are similar if not very much the same. All this in a way that is far more profound than I've really felt with any other artist, or come to think of it, person I guess. So he's a kind of a big deal to/for me. But don't let this detriment his importance that I'm trying to relay to you. He's, regardless of me, a big fucking deal. You should see what the big deal's all about. </span><br /><span></span>****** [now above]<br /><span></span><br /><span>^* </span>These footnotes (along with all the exponentially proliferating parenthetical intra- and sub[^x]-interjections, which might/probably would normally occur to me be to an extant restrained, typically) are how you can tell I've been reading too much DFW. {<span style="font-style: italic;">is this guy ever going to shut up about him?!?</span>}<br /><span>^*</span>* I was wrong. What I wanted to do was let you in on a little secret. I had to write a persona poem for Poetry class, i.e. from the perspective of someone that is not myself. Like any good delusional schizophrenic would, I assumed the persona of god. None of that's the secret. The secret of poem--titled 'theontallo'g' {found in the "spacing" document, 'Other Works' tab} (the poem's point is to share the secret, but what's secretive is that I don't usually like to tell the meaning I saw and intended in my poems, because I don't want to arrogate the meaning you see: I want YOU to construct it, but that's the thing--the thing)--is YOU. To quote some really righteous dudes, "I am he as you are he as you are me and We are ALL to'Gether"!! I chose to be god because I AM. <span style="font-style: italic;">SUM</span>. <span style="font-style: italic;">SUM, ERGO </span>the <span style="font-style: italic;">SUM: </span>the I AM. I AM god. I Am He, As YOU Are He, As YOU Are ME, AND WE ARE ALL TOGETHER! All of US, but also EVERY THING (inclusive of NOTHING, "because they're all the same / just each a different name" - 'dividends are the beginning' [also, kinda Death Cab for Cutie off of plans, and so many other people {really, all everyone}], I'm going to try and make this anti-distinction clearer in the future), Everything that exISts, not even ex- but IS, IS! IS GOD, "the sum. all the products, no parts... all <span style="font-style: italic;">i</span> am is nothing {but} 8<span style="font-style: italic;">u</span>+ [infinity] <span style="font-style: italic;">yoU + ^all ^^all ^^^om</span>"<br /><span>That's the secret that I hope gets out. </span><br /><span>In light of this, I'm also going to attach a reply I wrote to my mom on facebook (???) from this past summer. And I'm not not going to attach the personal statement? that I mentioned.^^* There's a bigger picture now informing everything I'm doing. I'm writing and sharing more because I see it more clearly every day, and it's beautiful. It's you, here. Won't you see it too?</span><br /><span></span>^^* For some reason it's not letting me attach these documents. Maybe I maxed out the raving bullshit meter around "Full Disclosure." I can't be sure. I'm going to publish this and see if I can tack these on if I edit it. If not I will make them available to you. Shit, that "Won't you see it too" was a really poetic way to end it. <br /></div>  ]]></content:encoded></item><item><title><![CDATA[New.Shit.New.Shit.New.Shit.--gimme a beat]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2012/03/newshitnewshitnewshit-gimme-a-beat.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2012/03/newshitnewshitnewshit-gimme-a-beat.html#comments]]></comments><pubDate>Tue, 06 Mar 2012 23:14:49 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2012/03/newshitnewshitnewshit-gimme-a-beat.html</guid><description><![CDATA[Howdy, y'all! Feliz dia de los remembering the Alamo.As noted in the post previous, I have been writing more. And my laptop was in the Philippines I believe getting repaired. But now it is back, on my lap, going to work and getting filled with my heady ejaculations--of words, you pervert.The new wordks you can find, per the uje (/as usual), on the following tab: Walker Jones' Other Works. I don't hav [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">Howdy, y'all! Feliz dia de los remembering the Alamo.<br /><span></span>As noted in the post previous, I have been writing more. And my laptop was in the Philippines I believe getting repaired. But now it is back, on my lap, going to work and getting filled with my heady ejaculations--of words, you pervert.<br /><span>The new wordks you can find, per the uje (/as usual), on the following tab: Walker Jones' Other Works. I don't have everything quite done yet, but I have all I'm going to do tonight and will finish the rest as they come.</span><span> I just can't help myself with the innuendo...</span><br /><span>which tells me I should take a break. Stop. Drop. Roll. Fire. Smoke. Flash. Dance. Voila: a diddy:</span><br /><span>[the following was a post on the Seattle newspaper's online personal forum</span><br /><span>listen: it was free and sometimes I</span> get lonely, don't we all. so I had fun with it, since I'm so much younger than everyone else, and composed, well,<span> you can read</span><br /><span>{N.B. i do believe there will be more of these musicalike things to come.}]</span><br /><br />  Hey there good evening how ya doing ladies?<br /> I guess you might be on here looking to make some babies<br /> Or just some love, or maybe just to find some<br /> One that's true and not "too good to be"come<br /> "Ya boi"&mdash;toy/or/friend&mdash;no, wait: what you really want's a man<br /> To make you feel full inside like only he can<br /> And so you scan through strangers online impers<br /> Onals and dime a dozens, your lovelife change is worse<br /> Than it was before you even logged on<br /> And flipped through "ad"s like in a fashion catalogue<br /> On every page, a different mannequin to see<br /> But now you've turned up every last stone and come to me<br /> My stone is rolling, gathering steam up and no moss<br /> I got you scrolling, reading this right? at a loss<br /> Of what to make of<br /> This must be fake, well<br /> Miss you're wide awake, I'll<br /> Pinch you for the sake of proving<br /> I'm real, not complex or even imaginary<br /> I'm oddly radical, makin more waves than a ferry<br /> Or Rick Perry, though I'm sweet as acai berry<br /> In a smoothie, smoother than a Ben &amp; Jerry<br /> Rich as dairy, or extra virgin olive oil<br /> Hot as water heatin up to a rolling boil<br /> And gettin hotta, 'nough to make you recoil<br /> But I play it cool, don't want any turmoil<br /> Just some fun with someone&mdash;hey just like you<br /> So listen closely as I tell you what to do:<br /> Just click the button on the left hand side of the screen<br /> And leave a message, don't you worry there's no beep<br /> We can get to talkin, maybe over some coffee beans<br /> About your dog or your life's hopes &amp; dreams<br /> They could come true you<br /> May never know though<br /> Unless you try to<br /> Give a new guy a go<br /> Yo!<br />  </div>  ]]></content:encoded></item><item><title><![CDATA[Answering the calling, but shares' been stalling]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2012/02/answering-the-calling-but-shares-been-stalling.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2012/02/answering-the-calling-but-shares-been-stalling.html#comments]]></comments><pubDate>Sat, 11 Feb 2012 15:22:35 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2012/02/answering-the-calling-but-shares-been-stalling.html</guid><description><![CDATA[Hey people, I hope you're doing beautifully. I have been--writing quite a bit more than I really ever have before,for the past couple months,&nbsp;esp. the last couple weeks.However, in the wake of this creative outburst, I've been sleeping on the polishing that goes into what comes out--a bit too much basking in the sunlight, if you will (I did). Also my computer and internet availability have been tr [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text">Hey people, I hope you're doing beautifully. I have been--<br /><span></span>writing quite a bit more than I really ever have before,<br /><span></span>for the past couple months,&nbsp;esp. the last couple weeks.<br /><span></span>However, in the wake of this creative outburst, I've been sleeping on the polishing that goes into what comes out--a bit too much basking in the sunlight, if you will (I did). Also my computer and internet availability have been trying (and failing). <br /><span></span>But, without further ado, I bring to you three new works on the 'Other Works' tab,<br />and this post--written at a Seattle Public Library computer as time is quickly expiring, but the poetic meat of which was written by candlelight on my back porch in San Antonio the early morning of New Years Evening (yes it has been a while indeed):<br /><span></span><br /><span></span>~I called; you stalled, <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; then told me to come over--<br />for not too long&mdash;I played some songs by a band you didn't know,<br />and you with cards and some glass shards to shine a shadow show.<br />You made some tea for us and me as we filled your room with smoke<br />but I spilled mine. You couldn't divine the meaning of the tarot.<br />The sound was warped; the light, distort from finicky flames still burning<br />your incense. Insentience almost overshadowed my yearning<br />to hold you just in short, -in lust, -or maybe as I once did<br />when we were young. The feeling stung, but I('m) no longer (a) kid<br />myself&mdash;I'm grown; you I can't own, <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; nor could you be my lover.~<br />Each time I see you with me it makes me wonder why<br />when you I leave I have to grieve so much I want to cry.<br />Maybe I miss whom I first kissed, that passionate primal affection;<br />but I know now that simply thou art that&mdash;emotive &lsquo;n tangible defection.<br />And so I must stake hope and trust in that which really is,<br />thus extinguish fie&rsquo;ry anguish that you won't be my mrs.<br /><span></span><br /><span></span></div>  ]]></content:encoded></item><item><title><![CDATA[iNoted More]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2011/12/inoted-more.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2011/12/inoted-more.html#comments]]></comments><pubDate>Sat, 24 Dec 2011 07:45:48 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2011/12/inoted-more.html</guid><description><![CDATA[The short bio I submitted with some works to Cascadia's Lit. Mag:Walker Jones is a recovering alcoholic narcoleptic addict who enjoyed his past times and appreciates the future's present. Tensed as an object oph repositioning, sentenced to structure, his occasional sin&mdash;tactical manipulation&mdash;is hopefully reconciled by your indulgences. He lives on Capitol Hill with records and no player.Another note, thi [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text">The short bio I submitted with some works to Cascadia's Lit. Mag:<br />Walker Jones is a recovering alcoholic narcoleptic addict who enjoyed his past times and appreciates the future's present. Tensed as an object oph repositioning, sentenced to structure, his occasional sin&mdash;tactical manipulation&mdash;is hopefully reconciled by your indulgences. He lives on Capitol Hill with records and no player.<br /><span></span><br /><span></span>Another note, this from last month:<br /><SPAN>Listening to the sound of falling rain,<br />I wonder what it means to be insane. <br />Insanity is to do the same thing<br />And expect a difference resulting,<br />But each new day the sun rise brings me hope<br />That my life too could see a rise in slope. <br />What I ask is: why does this hope for change<br />Plot me out of accepted sane range?<br />Must I drudge constant on this plane, flat line,<br />And to insane domains my hope resign?<br />To what point does my life line continue?<br />Does this plane of existence have value?<br /><br /><span></span></SPAN></div>  ]]></content:encoded></item><item><title><![CDATA[I am he that you were me and she was the and we will be together—NOTES]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2011/12/i-am-he-and-you-were-me-and-she-was-the-that-we-will-be-togethernotes.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2011/12/i-am-he-and-you-were-me-and-she-was-the-that-we-will-be-togethernotes.html#comments]]></comments><pubDate>Sat, 24 Dec 2011 07:32:02 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2011/12/i-am-he-and-you-were-me-and-she-was-the-that-we-will-be-togethernotes.html</guid><description><![CDATA[This&nbsp;is an original&nbsp;note that I started as&nbsp;a brainstorming reaction to reading&nbsp;a book on&nbsp;Marcel ("How Reading) Proust (Can Change Your Life"), more specifically the direction he took with his "In Search of Lost Time" [sic], on my phone. I continued on to tangents (somewhat disclosed in a possibly pretentious facebook post, if you saw that) for the next few hours and furnished ideas with wikipedantic research. For you to make sense of it, you'd prob [...] ]]></description><content:encoded><![CDATA[<div class="paragraph">This&nbsp;is an original&nbsp;note that I started as&nbsp;a brainstorming reaction to reading&nbsp;a book on&nbsp;Marcel ("How Reading) Proust (Can Change Your Life"), more specifically the direction he took with his "In Search of Lost Time" [sic], on my phone. I continued on to tangents (somewhat disclosed in a possibly pretentious facebook post, if you saw that) for the next few hours and furnished ideas with wikipedantic research. For you to make sense of it, you'd probably have to similarly supplement the ideas, I don't know if it's easy to follow because it's my own thoughts that I've already checked into. Anyways, just thought it might be interesting to you. It was for me. Merry Christmas.<br /><span></span><br /><span></span>Whereas Proust's 'Time' is 3rd Om, this is 3rd Ltd. Subject:<br />A perceptive person with proustian eye for detail, not only of present presentations, but precedences proliferating per processes that propagate current conditions, a kind of post- rather than pre-science. He could say/be "Lost in Finds," a condition conditional to his being found in loss. This omnipostscience doesn't remove him from the present, but from personability&mdash;people are interested in what he says and how he says it, but a passing interest, and no one follows him as they are preoccupied with leading their own lives. This is the conflict.<br />Inner, Inter, World, resultant from the conflict of the world, people, himself. Conflict is paradoxically problematic. Conflict is given, omnipresent, but his resolution perpetuates it, forms new conflicts. The Curse of Consciousness, of course.<br />Your job: to course his course, plot the points, each and every last one, {notice a pattern?} so that it can be followed linearly, which is funny, because it's not linear at all, it's a sine line (waves), a function fluctuating between simultaneous di-/con-vergent points (particles), inherently pluripotent, not only the function but also the points, because they are intersections of functions from (in?)finite origins, the origins themselves intersections&mdash;herein lies the problem: to know {scire} is to cut {scindere} from what isn't, but everything is. An etymological preclusion with ontological implications&mdash;to discern {separate} a cause from its effect eliminates the intrinsic connection. Motives are dependent variables upon their dependent actions and their dependent outcomes and their dependent reactions that produce dependent experiences of thought and emotion that the initial motive was dependent upon in origination&mdash;an origin/cause/effect is a supposed start of a silk web within the interconnected web that was constructed from the network of strings originally outside itself, tethered to the trees and waving in the breeze that grow up from and blow over the earth, respectively, a nonliving, life-sustaining entity resultant from interactions of larger entities composed of corporeal chemical agents, that {agein} as {organi} i.e. act as instruments, et do work, et work, et do, act: d &oslash; &acirc; k t {&acirc; g , &ocirc; r g} because g , k are non pulmonic consonants (do not obstruct airflow) produced by the dorsal (tongue, most centralized, adaptable) region, g is implosive, passive, velar ex. e/organum (tool, instrument), energy (noun) [* is non pulmonic palatal implosive, next step up], while k is ejective, active, velar ex. act (drive, lead), &auml;gein/work* (verb) [*w is approximant&mdash; next step from vowels that produce no turbulence&mdash;which involve articulators (areas that produce sound ex. tongue, palate) approaching each other but not enough to produce turbulent airflow] and o , e are in the median vowel range of open-closedness (of the mouth) and front and back et 400-600hz frequency, the median frequency of base (low) vowel sounds, and e is also 2.2-2.6kHz, providing the greatest convergent vowel variation and the sound's likely origination of development, not to mention, though I will, biologically the most economical, primal, and&nbsp; in most ways centric expellation of sound. Thusly energy and work are the composed of the first, most fundamental sounds humans can produce, eject by w o r k , a k t ed out by internal implosions of<br />e n e r j y , o r g a n s<br />mirroring the "known", cut, separated, discerned origin of the universe, nuclear fission, an atomic implosion of energy ejected to do, work, act<br />[b (nonpulmonic bilabial implosive)<br />e (I, close front)<br />i (I, close front)<br />s (nonpulmonic alveolar fricative ejective)<br />"I"/{I} is the resonance of outer openings unobstructing the flow of implosions and inner ejections channeled through narrow openings near the exterior.]<br />SEE ALSO: { e g o } &mdash; I, self ;<br />{ g e u } &mdash; gheu-&gt;zeus(/jesus?)-&gt;deus---&gt;god<br />N.B. Energy, Work, I, God all from elemental utterances<br />{ e g } = able<br />{ g e / o } = act/-ed/-or</div>]]></content:encoded></item><item><title><![CDATA[Wecology, or how We'll Winter Our Wintry Economy]]></title><link><![CDATA[http://www.walkerjones.net/1/post/2011/11/wecology-or-how-well-winter-our-wintry-economy.html]]></link><comments><![CDATA[http://www.walkerjones.net/1/post/2011/11/wecology-or-how-well-winter-our-wintry-economy.html#comments]]></comments><pubDate>Sat, 26 Nov 2011 16:06:03 -0800</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.walkerjones.net/1/post/2011/11/wecology-or-how-well-winter-our-wintry-economy.html</guid><description><![CDATA[I turned this essay in a week late, but I was nowhere finished. This topic is so all-encompassing, and I'm such a perfectionist that I might never finish it if i endeavored to. What I have here is basically an outline; I didn't even edit it as a whole, and everything needs to be fleshed out more. Anyways, I figured that I might as well post it, in case it's of interest to any of us.Side Note: I [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">I turned this essay in a week late, but I was nowhere finished. This topic is so all-encompassing, and I'm such a perfectionist that I might never finish it if i endeavored to. What I have here is basically an outline; I didn't even edit it as a whole, and everything needs to be fleshed out more. <br /><span>Anyways, I figured that I might as well post it, in case it's of interest to any of us.</span><br /><br /><span>Side Note: I took the title from my 'untitled' poem.</span><br /></div>  <div ><div style="margin: 10px 0 0 -10px"> <a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/eng--wecology.docx"><img src="http://www.weebly.com/weebly/images/file_icons/rtf.png" width="36" height="36" style="float: left; position: relative; left: 0px; top: 0px; margin: 0 15px 15px 0; border: 0;" /></a><div style="float: left; text-align: left; position: relative;"><table style="font-size: 12px; font-family: tahoma; line-height: .9;"><tr><td colspan="2"><b> eng--wecology.docx</b></td></tr><tr style="display: none;"><td>File Size:  </td><td>23 kb</td></tr><tr style="display: none;"><td>File Type:  </td><td> docx</td></tr></table><a href="http://www.walkerjones.net/uploads/2/2/0/9/2209397/eng--wecology.docx" style="font-weight: bold;">Download File</a></div> </div>  <hr style="clear: both; width: 100%; visibility: hidden"></hr></div>  ]]></content:encoded></item></channel></rss>

